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About University of Galway
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English, Media and Creative Arts
Dr Ian Walsh
Contact Details
E: ian.walsh@universityofgalway.ie

Biography
Research Interests
Research Projects
Project | Start Date | End Date | |
---|---|---|---|
CTF Advanced | 06-SEP-22 | 03-APR-24 | |
Wires Crossed: Head, Heart, Balance | 01-OCT-19 | 31-AUG-23 | |
Erasmus + CIRCUS++ Youth and Social Circus Arts - an innovative and inclusive education for Europe | 01-SEP-19 | 31-AUG-27 | |
IRC POSTGRADUATE SCHOLARSHIP 2017 ZSUZANNA BALÁZS - AMBIGUOUS SUPERMEN, MAGNIFICENT CRIMINALS: THE THEATRE OF GABRIELE D¿ANNUNZIO, LUIGI PIRANDELLO AND W. B. YEATS, AND THE INFLUENCE OF ITALIAN FASCISM | 01-OCT-17 | 30-SEP-21 |
Books
Year | Publication | |
---|---|---|
(2024) | Contemporary Irish Theatre: Histories and Theories.
Charlotte McIvor and Ian R. Walsh (2024) Contemporary Irish Theatre: Histories and Theories. Cham: Palgrave Macmillan. [DOI] [Details] |
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(2012) | Experimental Irish Theatre, After W.B Yeats.
Ian R. Walsh (2012) Experimental Irish Theatre, After W.B Yeats. Basingstoke, UK: Palgrave Macmillan. [DOI] [Details] |
Book Chapters
Year | Publication | |
---|---|---|
(2022) | 'Home is the Hero (1952) by Walter Macken'
Ian R. Walsh (2022) 'Home is the Hero (1952) by Walter Macken' In: Fifty Key Irish Plays. London: Routledge. [Details] |
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(2022) | 'An Apple a Day (1942) by Elizabeth Connor'
Ian R. Walsh (2022) 'An Apple a Day (1942) by Elizabeth Connor' In: Fifty Key Irish Plays. London: Routledge. [Details] |
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(2021) | 'Introduction'
Ian R. Walsh, Ondrej Pilny and Ruud van der Beuken (2021) 'Introduction' In: The Gate Theatre: Cultural Convergences. :1-13 Basingstoke, UK: Palgrave Macmillan. [Details] |
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(2021) | '‘‘Trading not in images but imperatives’: Robert Collis’s Marrowbone Lane (1939) at the Gate as Theatre for Social Change'
Ian R. Walsh (2021) '‘‘Trading not in images but imperatives’: Robert Collis’s Marrowbone Lane (1939) at the Gate as Theatre for Social Change' In: The Gate Theatre: Alternative Hsitories and Marginal Identities. Liverpool: University of Liverpool Press. [Details] |
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(2021) | ''Summoning the Pookey': Reanimating the Drama of Walter Macken'
Ian R. Walsh (2021) ''Summoning the Pookey': Reanimating the Drama of Walter Macken' In: Walter Macken: Critical Perspectives. Cork: Cork University Press. [Details] |
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(2019) | 'Irish Theatre: A Director's Theatre'
Ian R. Walsh (2019) 'Irish Theatre: A Director's Theatre' In: The Palgrave Handbook of Contemporary Irish Theatre and Performance. :399-413 Basingstoke, UK: Palgrave Macmillan. [Details] |
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(2018) | 'Hilton Edwards as Director: Shades of Modernity'
Ian R. Walsh (2018) 'Hilton Edwards as Director: Shades of Modernity' In: The Gate Theatre, Dublin: Inspiration and Craft. :29-46 Dublin: Carysfort. [Details] |
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(2016) | 'Directors and Designers Since 1960'
Ian R. Walsh (2016) 'Directors and Designers Since 1960' In: The Oxford Handbook of Modern Irish Theatre. :443-458 Oxford: Oxford University Press. [Details] |
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(2015) | 'Introduction'
Ian R. Walsh and Mary Caulfield (2015) 'Introduction' In: The Theatre of Enda Walsh. :1-12 Dublin: Carysfort Press. [Details] |
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(2015) | 'Entertainment and Dystopia: Enda Walsh’s The Ginger Ale Boy'
Ian R. walsh (2015) 'Entertainment and Dystopia: Enda Walsh’s The Ginger Ale Boy' In: The Theatre of Enda Walsh. :27-38 Dublin: Carysfort. [Details] |
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(2014) | 'Dublin Dames: From Biddy Mulligan to Mrs. Brown'
Ian R. Walsh (2014) 'Dublin Dames: From Biddy Mulligan to Mrs. Brown' In: For the Sake of Sanity: Doing things with humour in Irish performance. :63-76 Dublin: Carysfort Press. [Details] |
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(2014) | 'Theatricality in Verse: Donagh MacDonagh’s Happy as Larry and the Lyric Theatre Company'
Ian R. Walsh (2014) 'Theatricality in Verse: Donagh MacDonagh’s Happy as Larry and the Lyric Theatre Company' In: Beyond Realism: New Knowledges About Theatre Styles in Irish Drama. :107-120 Amsterdam: Rodopi. [Details] |
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(2012) | 'Mysterium Tremens: Conor McPherson's Dublin Carol'
Ian R. Walsh (2012) 'Mysterium Tremens: Conor McPherson's Dublin Carol' In: The Theatre of Conor McPherson: Right Beside the Beyond. :137-150 Dublin: Carysfort. [Details] |
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(2012) | 'Exploding the Kitchen Comedy: Maurice Meldon's Purple Path to the Poppy Field'
Ian R. Walsh (2012) 'Exploding the Kitchen Comedy: Maurice Meldon's Purple Path to the Poppy Field' In: Voicing Dissent: New Perspectives in Irish Criticism. :69-79 Dublin: Irish Academic Press. [Details] |
Peer Reviewed Journals
Year | Publication | |
---|---|---|
(2021) | 'Commedia Dell'Arte and the Gate Theatre'
Ian R. Walsh (2021) 'Commedia Dell'Arte and the Gate Theatre'. Review of Irish Studies in Europe, 4 (1) [Details] |
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(2021) | ''Introduction' The Gate Theatre: Staging Europe in Ireland'
Ian R. Walsh, Elaine Sisson and Siobhan O'Gorman (2021) ''Introduction' The Gate Theatre: Staging Europe in Ireland'. Review of Irish Studies in Europe, 4 (1) [DOI] [Details] |
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(2015) | 'Roundtable: 'Re-imagining Twentieth-Century Irish Theatre''
Walsh, IR,Trench, R,Pilkington, L,Jordan, E,Reynolds, P (2015) 'Roundtable: 'Re-imagining Twentieth-Century Irish Theatre''. Irish University Review, 45 :90-102 [DOI] [Details] |
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(2009) | 'The Failure of Representation in Jack B. Yeats's The Green Wave and In Sand'
Ian R. walsh (2009) 'The Failure of Representation in Jack B. Yeats's The Green Wave and In Sand'. Irish University Review, 39 (1):32-41 [Details] |
Published Reports
Year | Publication | |
---|---|---|
(2022) | The European core curriculum FOR YOUTH AND SOCIAL CIRCUS PEDAGOGY.
Ian R. Walsh (2022) The European core curriculum FOR YOUTH AND SOCIAL CIRCUS PEDAGOGY. Caravan, Brussels. [Details] |
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(2024) | Circus Transformation Advanced: Research Report on the Impact of Circus Training for Trainers Programmes.
Ilaria Bessone, Heta Mulari, Ian R. Walsh (2024) Circus Transformation Advanced: Research Report on the Impact of Circus Training for Trainers Programmes. Caravan, Brussels. [Details] |
Edited Books
Year | Publication | |
---|---|---|
(2021) | Cultural Convergence: The Dublin Gate Theatre, 1928-1960.
Ondrej Pilny, Ruud Van den Beuken, Ian R. Walsh (Ed.). (2021) Cultural Convergence: The Dublin Gate Theatre, 1928-1960 Cultural Convergence: The Dublin Gate Theatre, 1928-1960. Basingstoke, UK: Palgrave Macmillan. [DOI] [Details] |
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(2015) | The Theatre of Enda Walsh.
Mary Caulfield and Ian R. Walsh (Ed.). (2015) The Theatre of Enda Walsh The Theatre of Enda Walsh. Dublin: Carysfort Press. [Details] |
Other Journals
Year | Publication | |
---|---|---|
(2012) | 'Tender Napalm Review'
Ian R. Walsh (2012) 'Tender Napalm Review' www.irishtheatremagazine.ie, . [Details] |
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(2012) | 'Shibari Review'
Ian R. Walsh (2012) 'Shibari Review' www.irishtheatremagazine.ie, . [Details] |
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(2013) | 'Embers Review'
Ian R. Walsh (2013) 'Embers Review' www.irishtheatremagazine.ie, . [Details] |
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(2013) | 'Extinct Review'
Ian R. Walsh (2013) 'Extinct Review' www.irishtheatremagazine.ie, . [Details] |
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(2013) | 'Morning and Afternoon Review'
Ian R. Walsh (2013) 'Morning and Afternoon Review' www.irishtheatremagazine.ie, . [Details] |
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(2013) | 'Before Vanishing Review'
Ian R. Walsh (2013) 'Before Vanishing Review' Irish Theatre Magazine, . [Details] |
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(2013) | 'Click Review'
Ian R. Walsh (2013) 'Click Review' Irish Theatre Magazine, . [Details] |
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(2013) | 'Conversation with a Cupboard Man Review'
Ian R. Walsh (2013) 'Conversation with a Cupboard Man Review' Irish Theatre Magazine Online, . [Details] |
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(2007) | 'Fringe Roundup'
Ian R. Walsh (2007) 'Fringe Roundup' Irish Theatre Magazine, (33) . [Details] |
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(2007) | 'Red Light Winter Review'
Ian R. Walsh (2007) 'Red Light Winter Review' Irish Theatre Magazine, (32) . [Details] |
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(2007) | 'Fewer Emergencies'
Ian R. Walsh (2007) 'Fewer Emergencies' Irish Theatre Magazine, (33) . [Details] |
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(2007) | 'Bones Review'
Ian R. Walsh (2007) 'Bones Review' Irish Theatre Magazine, (33) . [Details] |
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(2008) | 'Stuck Review'
Ian R. Walsh (2008) 'Stuck Review' Irish Theatre Magazine, (34) . [Details] |
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(2008) | 'Unravelling the Ribbon Review'
Ian R. Walsh (2008) 'Unravelling the Ribbon Review' Irish Theatre Magazine, (34) . [Details] |
Book Review
Year | Publication | |
---|---|---|
(2017) | Anthony Roche, The Irish Dramatic Revival 1899¿1939.
Ian R. Walsh (2017) Anthony Roche, The Irish Dramatic Revival 1899¿1939. Modern Drama Book Review [DOI] [Details] |
|
(2022) | Performance, Modernity and the Plays of J.M. Synge by Hélène Lecossois (review).
Ian R. Walsh (2022) Performance, Modernity and the Plays of J.M. Synge by Hélène Lecossois (review). Toronto: Modern Drama Book Review [Details] |
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(2020) | The Theatre and Films of Conor McPherson: Conspicuous Communities.
Walsh, IR (2020) The Theatre and Films of Conor McPherson: Conspicuous Communities. FLORIANOPOLIS: UNIV FEDERAL SANTA CATARINA, PROGRAMA POS-GRADUACAO & LETRAS-INGLES Book Review [DOI] [Details] |
Educational Article
Year | Publication | |
---|---|---|
(2024) | Assessing the Impact Youth and Social Circus Training Through Circus Practice.
Ilaria Bessone, Heta Mulari, Ian R. Walsh (2024) Assessing the Impact Youth and Social Circus Training Through Circus Practice. Stagelync Educational Article [Details] |
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(2022) | Launch of New European Degree in Youth and Social Circus Pedagogy.
Ian R. Walsh (2022) Launch of New European Degree in Youth and Social Circus Pedagogy. Stagelync Educational Article [Details] |
Note
Year | Publication | |
---|---|---|
(2010) | Programme Note for Orfeo ed Eurydice for DLR Glasthule Opera.
Ian R. Walsh (2010) Programme Note for Orfeo ed Eurydice for DLR Glasthule Opera. Note [Details] |
Honours and Awards
Year | Title | Awarding Body | |
---|---|---|---|
2024 | Teaching Excellence Award (Nomination) | University of Galway | |
2023 | YPCE Artist-in-residence Scheme | Arts Council of Ireland | |
2022 | CTF Advanced Project | Erasmus + | |
2022 | CASSCS Research Support Scheme | CASSCS | |
2022 | YPCE Artist-in-residence | Arts Council Of Ireland | |
2019 | Wires Crossed: Head, Heart and Balance | Creative Europe | |
2017 | Postgraduate Scholarship Award/ Supervision | IRC | |
2015 | School of Humanities Research Incentivisation Scheme | School of Humanities | |
2014 | Abbey Theatre Doctoral Scholarship / Supervision | Abbey Theatre and CASSCS | |
2006 | Doctoral Scholarship | University College Dublin | |
2019 | Circus ++ | Erasmus + | |
2017 | The Gate Theatre Network Project | NWO | |
2016 | Presidents Excellence in Teaching Award ( Nominated) | NUI Galway | |
2006 | Doctoral Scholarship | School oF English, Drama and Film, University College Dublin | |
2007 | Synge Summer School Bursary Award | Wicklow County Council | |
2015 | School of Humanities Research Incentivisation Award | School of Humanities, NUI Galway |
Professional Associations
Association | Function | From / To | |
---|---|---|---|
International Federation for Theatre Studies | member | 20-JAN-18 / 31-DEC-25 | |
Irish Association for the Study of Irish Literature( IASIL) | Executive Member | 25-JUL-16 / 27-JUN-25 | |
Irish Society For Theatre Research | Member of the Executive | 01-MAY-15 / 01-MAY-17 |
Committees
Committee | Function | From / To | |
---|---|---|---|
School of English, Media and Creative Arts Executive | Head of Drama and Theatre Studies | 01-SEP-23 / | |
School of English and Creative Arts Research Committee | Chair | 01-JAN-20 / 01-SEP-22 | |
CASSCS Research Committee | Committee Member | 01-JAN-20 / 31-AUG-23 | |
College Of Arts research Committee | member | 01-JAN-20 / 01-SEP-22 | |
Irish Association for the Study of Irish Literature( IASIL) Executive | Member of Executive | 26-JUL-16 / | |
Irish Society For Theatre Research Executive | Executive Member | 01-MAR-15 / 30-JUN-17 | |
School of Humanities Curriculum Committee | Member of Committee | 01-SEP-14 / | |
Drama, Theatre, Performance Curriculum Committee | Chair of this committee | 01-SEP-14 / |
Employment
Employer | Position | From / To | |
---|---|---|---|
Irish Theatre Magazine | General Manager | 30-JUN-08 / 30-JUN-08 | |
NUI Galway | Lecturer in Drama and Theatre Studies | 01-AUG-14 / | |
University College Dublin | Tutor and Occasional Lecturer | 01-SEP-05 / 31-MAY-10 | |
Dublin Business School | Occasional Lecturer on BA Film and Media (HETAC Level 7) | 01-SEP-09 / 31-AUG-10 | |
University College Dublin | Lecturer in Drama | 01-SEP-10 / 31-JUL-14 |
Education
Year | Institution | Qualification | Subject | |
---|---|---|---|---|
2001 | University College Dublin | Bachelor of Arts | Mode 1 English | |
2003 | University College Dublin | Master of Arts | Anglo-Irish Literature and Drama | |
2010 | University College Dublin | PhD | Drama Studies | |
2010 | NUI Maynooth | Certificate | Theatre Directing |
Consultancy
Client | Description | |
---|---|---|
Dundalk Institute Of Technology | ||
Dundalk Institute of Technology | ||
IADT Dun Laoghiare |
Community Engagement
Title | Type | From / To | |
---|---|---|---|
Other | Galway International Arts Festival Post-show Moderator | / | |
Board Membership | Chair Galway Community Circus | 01-JAN-21 / 01-JAN-26 |
Other Activities
Description | |
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2025, Conference Organisation, Ireland and Technology, IASIL Annual Conference, University of Galway, July 21-25. Organising Committee Chair. |
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2024, Keynote Lecture, `Crossed Wires: Galway Community Circus¿s LifeLine/WiresCrossed and issues related to measuring wellbeing through artistic practice. Tampere Urban Research Perspectives ( TURNS) Tampere University, Finland. December |
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2024, Public Talk, `Circus Transformation Advanced Results¿ Metso Tampere City Library, Finland. March 13 |
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2024, Invited Lecture, `CTF Advanced Final Research Report¿, Sorin Sirkus, Tampere, Finland. March 12 |
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2023, Public Talk, `YCPE Artist in Residence Galway Community Circus in concersatin with Dr Ian R. Walsh¿, Arts in Action, November 22nd. |
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2023, Invited Lecture, `Measuring Impact of CTF Training for Trainers Programme¿, Cirkus Cirkor, Stockholm, Sweden. February 17th. |
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2022.Public Talk, `Launching Galway Community Circus Strategic Plan¿. Circus Education: Creativity and Inclusion, University of Galway, November 18th |
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2022, Invited Lecture, ` European Youth and Social Circus Pedagogy and the Promotion of Social Well-being¿ Circus Education: Creativity and Inclusion, University of Galway, November 18th |
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2022, Keynote Lecture, `Circus ++ : National Implementation Plans¿, Circus Pedagogy- The Future of Creative Education, Tampere University, July 15th. |
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2022, Conference Organisation, Circus Education: Creativity and Inclusion, University of Galway, November 18-19. Organising Committee Chair. |
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2022, Public Talk, `Panel discussion: Future(s) of Circus Teacher Education¿, Circus Pedagogy- The Future of Creative Education, Tampere University, July 15th. |
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2022, Conference Organisation, Thinking Out Loud¿ School of English and Creative Arts, Inaugural Research Symposium, University of Galway, May 19th, Organising Committee Chair. |
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2021, Conference Organisation, Theatre Ecologies: , International Federation of Theatre research, University of Galway (Online). As Working Group Organiser I co-ordinated 24 WGs. |
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2021 Keynote Lecture, ` In Conversation with Enda Walsh¿, IASIL Annual Conference, `Creative Borders¿ University of Lodz, Poland. 21 July |
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2020, Conference Organisation, Theatre Languages / Languages of the Stage: Marginality, Culture and Performance in Contemporary Europe, Gate Theatre Research Network Expert Meeting, NUI Galway, 8-9 June, 2020 Organising Committee Co-Chair. |
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2020-2022: I convened the School of English and Creative Arts Seminar Series Online |
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2019 Invited Lecture, ` Trading not in images but imperatives¿: Robert Collis¿s Marrowbone Lane (1939) at the Gate as Theatre for Social Change . The Gate: Alternative Histories, Marginal Identities¿, Charles University, Prague 14 June 2019, Invited Lecture, `What is Youth and Social Circus¿, Sorin Sirkus, Tampere, Finland, 12 December |
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2018, Conference Organisation, Celebrating Siobhán McKenna Symposium¿. The event was attended by President Michael D. Higgins and covered on television by RTE News and Nuacht TG4. Organising Committee Co-Chair. |
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2018, Keynote Lecture, Bad Parenting: Configurations of Family in Contemporary Irish Theatre, (Con)figurations of Family in Irish literature, Theatre and Film. Irish Studies Research Conference at Universidade Federal de Santa Catarina (UFSC), Florinapolis, Brasil. November 7th. |
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2018, Invited lecture, `Tragedy and Patriarchy in Marina Carr¿s Bog of Cats¿, The Universidade Federal Fluminense (UFF) in Rio de Janeiro, November 8th. |
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2018, Invited lecture, ¿The Importance of Maura Laverty¿s Liffey Lane(1951) at the Gate¿ The Gate and the Nation, Radboud University Nijmegen, Netherlands, September 7th |
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2018, Guest Talk, 'Theatre for Young Audiences in Scotland', Chair of Roundtable discussion, Baboró International Arts Festival for Children, Mick Lally Theatre, Galway, 19th October. |
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2017, Public Talk, The Poet and the Playwright: Mary O¿Malley and Marina Carr in conversation with Dr. Ian R. Walsh, Arts in Action, O¿Donoghue Centre for Drama, Theatre and Performance, 27 November |
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2017, Invited Lecture, ¿ `Behold the Spirit¿: Irish Language Theatre¿, Redfern Arts Centre, Keene State College, New Hampshire, USA, 28 September |
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2016, Invited lecture, ` Issues of Representation: Martin McDonagh¿s The Cripple of Inismaan¿, Scottish Universities International Summer School (SUISS) at the University of Edinburgh, in August 2016 |
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2015, Keynote Lecture, `Reanimating the Later Plays of Walter Macken¿, `Walter Macken: Histories and Stories, A Centenary Symposium¿ The University of Wuppertal, Germany December |
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2015, Conference Organisation, Performing the Archive, University of Galway, 22-25 July. Organising Committee Co-Chair. |
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2015, Invited Lecture, Summoning the Pookey: Reanimating the Plays of Walter Macken. Walter Macken Centenary, An Taibhdhearc, Galway, 13 May. |
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2015, Invited Lecture, `Oscar Wilde at the Abbey¿. Oscar Wilde Festival 2015, Harbour Hotel, Galway. 4 September. |
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2014, Public Talk, `Irish and Russian Theatre Practice: Parallels, Interactions and Reflections¿. `Unchanged but the Spirit¿ An exhibition documenting Irish and Russian theatre, Collaboration between Russian State Art Library and Hardiman Library, NUI Galway, HRB, NUI Galway, 7 October 2014 |
Teaching Interests
Current Postgraduate Students (Taught)
Name | Degree | Primary Supervisor | |
---|---|---|---|
Gabriella Daly | PhD | Y |
Recent Postgraduate Students
Graduation | Name | Degree | Primary Supervisor | |
---|---|---|---|---|
2022 | Zsuzsanna Balázs | PhD | Y | |
2019 | Aisling Smith | PhD | Y | |
2019 | Patricia O'Beirne | PhD | Y | |
2019 | Chris McCormack | PhD | Y |
Modules Taught
Term/Year | Module Title | Module Code | Subject / Desc | |
---|---|---|---|---|
1 BA DTP | Theatre Histories 1 | DT1108 | Drama, Theatre and Performance | |
2 BA DTP | Introduction to Playwriting | DT204 | Drama and Theatre Studies | |
4 BA DTP | Fail Better: Building resilience, learning through failure and taking risks through circus | DT2114 | Drama and Theatre Studies | |
4 BA DTP | Practice-based Research Project | DT4107 | Drama and Theatre Studies | |
MA in Drama and Theatre Studies | MA Dissertation Supervision | DT6100 | Drama and Theatre Studies | |
3rd /4th year BA English | Drama and Theatre Studies | EN385 | English | |
2 BA DTP | Modern Drama | DT2105 | Drama, Theatre and Performance | |
3 BA DTP | Musical Theatre: History and Performance | DT3104 | Drama, Theatre and Performance | |
MA Drama and Theatre Studies | Creative Practices | DT6138 | Drama, Theatre and Performance | |
MA in Drama, Theatre, Performance | Playwriting Workshop 1 | DT6123 | Drama, Theatre and Performance |
Internal Collaborators
Name | Description of Collaboration | |
---|---|---|
Professor Paolo Bartoloni |
External Collaborators
Name | Organisation / Institute | Country | Description of Collaboration | |
---|---|---|---|---|
Galway International Arts Festival | Galway International Arts Festival | IRELAND | ||
Galway Community Circus | Galway Community Circus | IRELAND | ||
The Gate Theate Research Network | Radboud University | NETHERLANDS |